BATMAN BEGINS LEAGUE OF SHADOWS ARMOR UPDATE
BATMAN BEGINS LEAGUE OF SHADOWS ARMOR CODE

As long as the knight was free of the economic burdens that plagued the third estate, he was able to focus on his sole vocation of battle through constant training, participation in tournaments, and ultimately war (Gearhart, 667). For the soldiers of these times, overflowing wealth and a high social standing were essential in solidifying their identity as knights. The same social order persisted into the fourteenth century, evidenced by its appearance in Piers Plowman (26). According to the Christian theologian Honorius of Autun of the twelfth century, these divisions found ideological justification in Noah’s sons Shem (freemen), Japher (knights), and Ham (serfs) however, the estates followed old tribal patterns rather than resulting from Norman invasion (26). Anglo-Saxon England of the late tenth century existed in a rudimentary division of society by occupation, which eventually came to be known as the three estates: those that prayed, those that fought, and those that labored, translating into monks, soldiers, and peasants (Allen, 25-26). On a practical level, Nolan’s Batman is a reiteration of the late medieval and early Renaissance knightly image.

BATMAN BEGINS LEAGUE OF SHADOWS ARMOR CODE

Moreover, if the medieval knight for comparison is Sir Gawain, Batman can be viewed not so much as a modernization but a more flexible expression and application of a personal code of ethics.

BATMAN BEGINS LEAGUE OF SHADOWS ARMOR UPDATE

In Batman Begins,theconcept and significance of the Batsuit is not an update to the armor of the medieval knight because both function in the same manner. Two categories of medieval knighthood are of particular interest: a man’s armor and his chivalric code. Similarly, Sir Gawain and the Green Knight is a critique of the English romance, its ideals of chivalry, and all its attendant ethics. Indeed, the 2005 remake rejects much of the “traditional” Batman archetype and encourages novel interpretations of the vigilante’s motivations against the standard grain of thought (952). Compared to the Batman of previous films, Nolan presents a darker side of the “superhero” mythos in an effort to bring the humanity, and thus fallibility, of such figures to light (Johnson, 952). Batman Begins, the first installment of Christopher Nolan’s The Dark Knight Trilogy, offers a Batman that that reflects all the moral complexity and ambiguity of Gotham City’s society.

Batman begins league of shadows armor